SYNW
MOURNS RENOWNED LITERARY SCHOLAR HARRY GARUBA
Society
of Young Nigerian Writers (SYNW) has sent her condolences to the family and literary
associates of the late literary figure and Nigerian academic Prof. Harry
Garuba.
The late Prof. Harry
Garuba burst on to the literary scene in the late 1970s and early 1980s and
made a name for himself. Prof. Harry Garuba passed away on Friday evening in
South Africa, following a long illness. A statement on Saturday by the
University of Cape Town where the departed poet had taught for much of his
career, announced his death.
Reacting to the death
of Prof. Harry Garuba, Wole Adedoyin, the President of SYNW in a statement
issued on Saturday, said the literary works of the late don would leave lasting
memories of his literary legacy.
“SYNW commiserates with
family of the renowned academic and poet, Prof. Harry Garuba, who passed away
on Friday 28th February, 2020, urging them to find solace in the good deeds and
the good life lived by the departed.
“SYNW also condoles with
friends and literary associates of Prof. Harry Garuba, whose outstanding
contributions to the tenet of African studies and literature will be sorely
missed.
SYNW finally prayed
that the almighty God will accept the soul of the departed, and comfort his
family.
Born in Akure, southwestern Nigeria, in 1958, at
age 17, Garuba gained admission to the department of English at the University
of Ibadan. The budding young scholar drew on his academic and intellectual
formation at Ibadan to graduate with a BA honours and later with a master’s
degree.
From there he obtained his PhD in 1988 and
composed a work of scholarship, Mask and Meaning in Black Drama: Africa and
the Diaspora, illustrating his groundbreaking thesis on genre and
technique in African, Afro-Caribbean and African-American drama with a
comparative study of the plays of Nigeria’s Wole Soyinka, St Lucian Derek
Walcott and the American Amiri Baraka.
From 1981, he taught at Ibadan for more than 15
years before migrating to South Africa in 1998, first teaching English at the
University of Zululand and, from 2001, teaching English and African studies at
the University of Cape Town.
Ibadan, Nigeria’s premier university, offered the
creative space within which his talent could flourish. Garuba was still a
teenager when his one-act play, Pantomime for Saint Apartheid’s Day, appeared
in the Festac Anthology of Nigerian New Writing (1977), compiled on
the occasion of the 2nd World Black and African Festival of Arts and Culture,
which took place in Lagos, Nigeria, from January 15 to February 12 1977.
But that was child’s play compared with what he
achieved five years later. In 1982, New Horn Press, the Ibadan-based publishing
house built by the late, great Nigerian literary scholar Professor F Abiola
Irele, brought out Garuba’s first volume of poetry, Shadow and Dream and
Other Poems, when the poet was only 24. It’s a relatively slim book but
contains some of the greatest and most original poetry ever written. The first
poem in Garuba’s distinguished debut comprises perhaps the most memorable
opening lines in modern Nigerian poetry in English since The Passage in
Christopher Okigbo’s debut Heavensgate (1962) published by Mbari, another
Ibadan-based house, 20 years earlier.
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