June 9, 2021

The Haste For Fame Hurried Many Writers To Publish Unworthy Pieces - Kwaghkule, Aondonengen Jacob

 

THE HASTE FOR FAME HURRIED MANY WRITERS TO PUBLISH UNWORTHY PIECES - KWAGHKULE, AONDONENGEN JACOB


 

 

Kwaghkule, Aondonengen Jacob is popularly known by his pen name "Mr Kvip". He is a poet and a short story writer. His poems appeared or are forthcoming at, Praxis Magazine, The Best of Africa Magazine, Poemify Magazine, Sub-Saharan Magazine, Active Muse, My Woven Poetry, Nantygreens, Eboquills, Ninshart Art including many local and international anthologies and elsewhere. In this interview with Wole Adedoyin, he shares with him facts about his writing career.

 

 

WA: TELL US ALL ABOUT YOUR WRITING BACKGROUND- WHAT YOU’VE WRITTEN, WHAT YOU’RE CURRENTLY WRITING

 

KAJ: Apparently, I have to confess that I had escaped my mother's womb with writing in my name. Although, I didn't know I could write until as recently as two years back when I penned my first poem. Actually, I must have to applaud my coursemate KASIM, Shalom who doubles as the C.E.O, In-House P-Initiative for my exposure into the realm of Poetry. Since then, I couldn't dare to wash my hands with spittle while standing at the riverbank. Therefore, I fathomly delved into Poetry and today my pen can dance to virtually all rhythm of literary genres.

 

WA: WHAT EXCITES YOU ABOUT A PIECE OF WRITING-

 

KAJ: My ecstasy about a piece of writing gets filled when I achieve a particular desired effect which I have in mind before picking up my pen and paper to explore such a hidden reality.  In fact, as a writer I make sure my audience are not misinformed. I write devoid of sentiment and dogmatism as well as burying all the mere mumbo-jumbos and stereotypical beliefs in the grave of universal truism. I am happy when my work gets concretized in the hearts of my audience.

 

WA: WHO ARE YOUR FAVOURITE WRITERS AND WHY?

 

KAJ: Seriously, it is not easy for me to fairly mention all my favorite writers here. Because every writer I read is substantially good in one way or the other. This notwithstanding, I cherished so much the works of Chinua Achebe, Niyi Osundare, David Diop, Ajio Aondo-aver, Uzer Moses, Biachi Ndidi Anointing, Terseer Sam Baki, just to mention many but a few.

 

WA:  WHAT ADVICE WOULD YOU GIVE TO A NEW WRITER STARTING OUT?

 

KAJ: An adage says, when we gather at the village square during moonlight, it is not because of the moon, because everyone can see it from his compound, but because it for an upliftment of the spirit of our oneness and togetherness. An upcoming writer who is willing to go further in this tedious journey of writing should always read the works of accomplished writers and possibly join clubs and associations like PIN, ANA, SYNW and the likes which can help to get him or her improved in certain areas of difficulties. No man is an island of knowledge. It is however, a pity that successful budding writers sometimes think they need no tutor...

 

WA:  WHAT INSPIRES YOU TO WRITE?

 

KAJ: I am inspired by the pains of my daily life struggles. The futile and fruitless forms of aborted dreams. The sorrow and sadness of my people. The vision of the promised better tomorrow which seems never to come, and to right the wrongs that have stylistically become legalized in our society.

 

WA: DO YOU HAVE A WRITING ROUTINE? A PLACE THAT’S SPECIAL?

 

KAJ: As of now, I don't have any special writing routine. I use Facebook platform to sell my works to the world. But surely, if one googles my name, one will definitely have one or two tales to tell about me.

 

WA:  HOW, WHEN AND WHY DID YOU FIRST START WRITING?

 

KAJ: Like I have established earlier, I was borne to write. But I discovered the poet in me about two years ago. It became imperative for me to write because I felt as a citizen I have my quarter to contribute to Nation building. The society unconsciously evoked the consciousness in me and I was left with no option than to express the angered me in a way that authority won't come hunting for my neck. Of course, we have freedom of speech, but we have no freedom after speech. And Poetry served as my backup to this. Above all, a huge thanks to Covid-19, because the year 2020 really exposed my writings to the walls of the world's ears.

 

WA: WHAT WAS THE FIRST PIECE YOU EVER HAD PUBLISHED?

 

KAJ: I have had some other publications before now. But until my poem about Covid-19 titled "Sing Us a New Song" was published by Praxis Magazine, I had not called myself a poet. Truly, the publication of this poem confirmed my poetic status.

 

WA:  DO YOU ADDRESS PARTICULAR THEMES OR ISSUES IN YOUR WRITING?

 

KAJ: Yes. I am a pure Pan-africanist Poet. Also, corruption is one of the prominent themes in my works. Though a man, I strive to create a balance between man and woman in a patriarchal African society, and by this many of my friends call me feminist. I uphold dreams, visions, aspirations, life, pains, sadness and sorrows through my writings.

 

WA: HOW DID YOU FEEL WHEN YOU FIRST STARTED SENDING YOUR WRITING OUT INTO THE WORLD?

 

KAJ: I felt very excited. In fact, the euphoria of recent publication still wears my soul like a soothed roasted yam. I was mad when I uploaded my poems on a public site called Internetpoems.com and they were accepted. To me, that was the beginning of a merciful journey into the world of poetry. To cap it all is this singular fact that my late father's name keeps going to places his own legs couldn't carry him while alive.

 

WA:  WHERE DO YOU GET YOUR IDEAS FROM?

 

KAJ: A common adage has it that experience is the best teacher. And whatsoever that doesn't kill a man only makes him stronger. Therefore, I write from my flaws. I also write from heartbreaks and the experiences of friends and family.

 

WA:  HOW DID YOU GET YOUR PUBLISHER?

 

KAJ: The world has gone globalized and everything now happens in a jiffy. We no longer carry our legs from here to there in search of Publishing Houses. Facebook is one of the platforms that has so far helped me a lot in my writing career. I come to know most of the 'call to submissions' via it.

 

WA:  TELL US WHAT KIND OF RESPONSES YOU GET FROM AUDIENCES\ READERS.

 

KAJ: The responses are not too bad as of now. Many people who have read my works encouraged me to do more. In fact, some even shower unnecessary eulogies, but I promise myself not to be drowned in the pool of their excessive praises because the best in me is yet to be explored. 

 

WA:  HOW CAN PEOPLE FIND OUT MORE ABOUT YOU?

 

KAJ: I have an itching song on the tip of my tongue and when I sing the sweetness of such a rhythmic tone, the world shall chorus the lyrics of a young poet like me.

 

WA:  TIPS, TRICKS, THINGS TO PASS ON TO DEDICATED WRITERS?

 

KAJ: Yes. Whatever that is worth doing is worth doing very well. And whatever good thing one does do today, does pay one tomorrow. It is obvious that not all dedicated writers are successful but all successful writers are dedicated writers. Play your role and leave the rest for God to handle.

 

WA:  ANY TYPICAL/COMMON MISTAKES THAT NEW WRITERS TEND TO MAKE?

 

KAJ: All new writers (myself inclusive) are fond of using both American and British spelling interchangeably in a single write-up which is wrong. Aside that, the haste for fame hurried many writers to publish unworthy pieces. 

 

WA:  WHICH OF YOUR BOOKS WERE THE MOST ENJOYABLE TO WRITE?

 

KAJ: It is important that I state categorically clear that I have written up to three poetry collections. Although, none is published due to financial challenges. The latest among the collections is "The Caskets of Breathing Carcasses" which I personally enjoyed writing.

 

WA:  TELL US ABOUT YOUR FIRST PUBLISHED BOOK? WHAT WAS THE JOURNEY LIKE?

 

KAJ: My first published book is an eBook published on Wattpad by Poetry Abilities as a reward for winning her Poems of Lights, 2020 Anthology Contest. My book is titled "Gentle Tides", a collection of Love poems. The journey was smooth like a maiden silk.

 

WA:  ON YOUR LATEST BOOK TITLED "THE CASKETS OF BREATHING CARCASSES" CAN YOU SHARE WITH US SOMETHING ABOUT THE BOOK

 

KAJ: My latest Poetry book is "The Caskets of Breathing Carcasses", it is a collection that expresses the agony of a people who are dead long before they are born. The poems are so fascinating that everyone may like to read it.

 

WA: WHAT IS THE KEY THEME AND/OR MESSAGE IN THE BOOK?

 

KAJ: The Central idea in the book is inhumanity vs humanity; the cause of our curses and courses of our national retrogression. 

 

BIOGRAPHY:

Kwaghkule, Aondonengen Jacob is popularly known by his pen name "Mr Kvip". He is a poet and a short story writer. His poems appeared or are forthcoming at, Praxis Magazine, The Best of Africa Magazine, Poemify Magazine, Sub-Saharan Magazine, Active Muse, My Woven Poetry, Nantygreens, Eboquills, Ninshart Art including many local and international anthologies and elsewhere...

 

He is a Top-Ten Winner of The League of Poets' Covid-19 Relief Competition, 2020. Contributor, Brigitte Poirson Poetry Contest (BPPC) 2020 Anthology. Entrant, Society of Young Nigerian Writers' Achebe: A Man of the People 2020 Anthology. Joint-Winner, PIN 10-Day Poetry Challenge (Feb.2021). His Chapbook "To Our Lads & Lasses" made the longlist of Pengician Poetry Chapbook Series/Prize, 2021...

 

"To Our Lads & Lasses" expresses the agony of war as masterminded by corrupt leaders. And while the innocent die in warfronts like chickens, the initiators of blamed war enjoy the coolness of their luxurious seats at home. It comprises tales one will not wish to have performed physically. But sadly, everyday we dance to the sounds played by fire-vomiting bamboo sticks. It is high time we changed the narrative. Let us sheath our swords and hug Peace, Unity, Love and Progress

 

Currently, Kwaghkule Aondonengen Jacob is a penultimate student of English and Literary Studies at Federal University, Wukari, Taraba State, Nigeria. He is also the Secretary and acting Press Secretary of In-House P-Initiave, Director of Tiv Magazine and Regional Administrator (for Africa) at One World Writers Movement.

 

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